Why the change, and what does it mean, if anything?
First off, in her more trendy comedian-e book costume, Marvel Lady (a.ok.a. Diana Prince, a.okay.a. Lynda Carter) looks like a glamorous athlete as an alternative of an unusually muscular Miss America who occurs to struggle crime. The sleek lines of the brand new wonder pants evoke sci-fi warrior agility, while the cropped jacket -- with its studded epaulets -- adds rock star, Balmain flash.
Traditionally, superheroes have been carefully tied to patriotism. Wonder Girl's look has not been substantially altered since 1941 (except for the late '60s and early '70s, when she gave up her costume entirely). The makeover purges the Americana from her clothes. She no longer appears as though she's sporting a flag. She has shrugged off parochialism to grow to be an international sophisticate.
Because the superhero universe is dominated by males, Marvel Lady has all the time been burdened by the politics of gender. She appeared on the primary cover of Ms. Journal in July 1972, her corset and high boots saying that feminism, beauty
black panther t-shirts and sexuality may forge a powerful coexistence.
Now that she's been given a pair of pants -- that Western image of formalized male authority -- it's tempting to declare this makeover an advance in gender fairness. But not so quick. In superhero land, where the whole lot is exaggerated, the boys are sketched with a nod to excessive masculinity. Batman's go well with, for instance, gives the slender Bruce Wayne perfectly etched pecs. It was only truthful that Marvel Lady's leg-revealing briefs gave mousy Miss Prince a goddess's sexy, lithe figure.
Pants make Surprise Woman look chic, match and contemporary. They imbue her with bourgeois authority. But power? From her lasso of fact to these legs of steel, she's had that from the start.
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